1917-1918
Oil on canvas
175 x 60 cm
Osterreichische Galerie Belvedere, Austria.
Not even Klimt can treat the subject of "Adam and Eve" without the presence of the male. Yet he succeeds in making him a kind of decorative accessory. Using a technique observed in ancient vase painting, he paints him darker than the triumphant figure of Eve, the alluring carnal Viennese with her gently rounded flesh, the obvious star of the picture.
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