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  • Louis Anquetin
    Jan 26, 1861 - Aug 19, 1932
  • The Beautiful Maud (La belle Maud) - Louis Anquetin was a French painter noted for his association with the Post-Impressionist movement and for his works depicting scenes of Paris at night done in the Cloisonnism style. Anquetin was considered the greatest artist of the 19th century. His was one of the founders of Synthetism. Most of the painter’s works are canvases depicting female figures inside or on the street.
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The Beautiful Maud (La belle Maud)
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  • The Beautiful Maud (La belle Maud)

  • Louis Anquetin
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  • 1890
    Oil on canvas
    81 x 54 cm
    Private Collection.

    A major figure in the development of modern art, Louis Anquetin began his training in Léon Bonnat’s studio in Paris. In 1883, he entered Fernarnd Cormon’s free studio, where he became friendly with Toulouse-Lautrec and Vincent van Gogh. The Dutchman left a lasting influence with his feeling for colour and his collection of Japanese prints that he showed to the younger artist. In addition, Anquetin studied Rubens and Delacroix enthusiastically. He met Signac in 1887 and for a short period became close to the Neo-Impressionists. Working with Emile Bernard, Anquetin created in May 1888 paintings that were later defined as “cloisonnist” by the art critic Eduard Dujardin, because they were formed of compartments, similar to cloisonné, drawing supporting the colour and colour supporting the drawing. Cloisonnism would be very important for Gauguin in addition to the Nabis. Anquetin broke later with the avant-garde and concentrated on studying the techniques of the Old Masters.

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Other paintings by Louis Anquetin:

Street Scene, at Five in the Afternoon
Street Scene, at Five in the Afternoon
The Arbour
The Arbour
The bridge of the arts (Le pont des arts)
The bridge of the arts (Le pont des arts)
The Brothel Redheads (LES ROUSSES DE MAISON CLOSE)
The Brothel Redheads (LES ROUSSES DE MAISON CLOSE)
Louis AnquetinLouis Anquetin was a French painter noted for his association with the Post-Impressionist movement and for his works depicting scenes of Paris at night done in the Cloisonnism style. Anquetin took art lessons from French painters Léon Bonnat and Fernand Cormon and worked closely and exhibited with noted artists like Émile Bernard, Vincent van Gogh, Charles Angrand, Camille Pissarro, Georges Seurat, Paul Signac, Paul Gauguin and Henri de Toulouse-Lautrec. Although Anquetin remained active in the Impressionist movement of the time, he became interested in the works of Flemish masters in his later years. He along with Bernard came up with a post-Impressionist painting style called cloisonnism that was inspired by stained glass and Japanese ukiyo-e art and includes use of bold and flat forms separated by thick dark contours. L’Avenue de Clichy, an early work of Anquetin, was inspired by Japanese ukiyo-e prints. His popularity however waned after he abandoned the modern movements and took to studying the methods of Old Masters. His works such as Rinaldo and Armida done after the mid-1890s were particularly Rubensian and allegorical in nature. He also wrote a book on Rubens later in his life.