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  • Francisco de Goya
    Mar 30, 1746 - Apr 16, 1828
  • The Blind Guitar Player - Francisco José de Goya y Lucientes was a Spanish romantic painter and printmaker. He is considered the most important Spanish artist of late 18th and early 19th centuries and throughout his long career was a commentator and chronicler of his era. Immensely successful in his lifetime, Goya is often referred to as both the last of the Old Masters and the first of the moderns.
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The Blind Guitar Player
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  • The Blind Guitar Player

  • Francisco de Goya
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  • 1778
    Oil on canvas
    260 cm (102.36 in.) x 311 cm (122.44 in.)
    Museo Nacional del Prado, Madrid, Spain.

    One of a series of finished 'cartoons' intended for the production of tapestries for the bedroom of the Prince of Asturias (later to become Charles IV) and his wife Maria Luisa of Parma. Ten of these compositions are preserved in the museum. This picture shows a blind man playing the guitar to a varied ensemble of folk.

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Other paintings by Francisco de Goya:

The Arrest of Christ
The Arrest of Christ
The Bewitched Man
The Bewitched Man
The Bookseller's Wife
The Bookseller's Wife
The Bullfight
The Bullfight
Francisco de GoyaFrancisco José de Goya y Lucientes (b. March 30, 1746, Fuendetodos, Spain--d. April 16, 1828, Bordeaux, Fr.), consummately Spanish artist whose multifarious paintings, drawings, and engravings reflected contemporary historical upheavals and influenced important 19th- and 20th-century painters.

Like Velazquez, Goya was a Spanish court painter whose best work was done apart from his official duties. He is known for his scenes of violence, especially those prompted by the French invasion of Spain. The series of etchings Los desastres de la guerra ("The Disasters of War", 1810-14) records the horrors of the Napoleonic invasion. His masterpieces in painting include The Naked Maja and The Clothed Maja (c. 1800-05). He also painted charming portraits such as Senora Sabasa Garcia.

For the bold technique of his paintings, the haunting satire of his etchings, and his belief that the artist's vision is more important than tradition, Goya is often called "the first of the moderns." His uncompromising portrayal of his times marks the beginning of 19th-century realism.