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  • Granville Redmond
    Mar 9, 1871 - May 24, 1935
  • California Hills - Granville Redmond is nationally known for his Impressionist landscapes featuring the California wildflowers, as well as his coastals, and Tonal moonlit scenes. He is known as one of the most prominent and successful "California Impressionists" of the early 20th century.
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California Hills
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  • California Hills

  • Granville Redmond
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  • circa 1950s
    Oil on canvas laid down on board
    26 1/4 x 36 in. (66.7 x 91.4 cm.)
    Private collection, California.

    Painters had been settling in California since the second half of the nineteenth century but it was not until the early part of the twentieth century that the identity of California painting firmly defined itself as a major movement in the history of American art. Critic John Ruskin had earlier challenged artists to describe nature in ideal terms of careful observation and accurate description and the artists of California responded by depicting their surrounding landscape en plein air. The distinctive topography and unique colors of the California scenery immediately inspired artists and impelled them to work directly from nature as demonstrated by the European Impressionists of a previous generation.

    Granville Redmond was a leader of this new school of California Impressionism and like many of his contemporaries carried with him a sensitivity to this new style of painting grounded in formal academic training received back East and in Europe. Redmond was raised in Northern California and despite an early bout with scarlet fever that left him deaf, he quickly demonstrated an affinity for fine art and received a scholarship to study abroad at the Academie Julian. Redmond returned to California in 1898 and settled in Los Angeles where his more European tonalist style of painting soon developed into a brighter palette that was immediately inspired by the exceptional northern and southern California landscape.

    Granville Redmond's depictions of blooming poppy fields are among the artist's most sought after subjects. Glorious hillsides dotted with bold orange and yellow blooming poppies set against cooler green meadows and towering hills, are at once realistic views of the California spring as well as confident personal expressions from the leader of the region's plein-air movement. The artist's bold palette and expansive subjects quickly garnered praise from new patrons and established Redmond in an important place in the broader Calfiornia artistic community.

    "Redmond, who had a distinctive style, at times somewhat akin to the pointillism produced by certain of the French Impressionists, followed the imperative of a deep personal philosophy. He felt that the artist should approach painting with a positive, untroubled state of mind, knowing clearly what he wished to express and striving to put his soul into each work." (R.L. Westphal, Plein Air Painters of California: The Southland, Irvine, California, 1988, p. 93) This purity of approach and confident vision are clearly evident in California Hills, a superb rendering that combines Redmond's early tonalist style with his favorite subject matter.

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Other paintings by Granville Redmond:

California Eucalyptus
California Eucalyptus
California Foothills with Wildflowers
California Foothills with Wildflowers
California Hills 2
California Hills 2
California Landscape
California Landscape
Granville RedmondGranville Redmond was one of the best and most prominent landscape painters of Los Angeles during the first decade of the century. Born Grenville Richard Seymour Redmond, the artist was four years old when his family moved to San José, California. They later moved to Los Angeles. Having been left completely deaf by scarlet fever, Redmond lived at the California School for the Deaf (then called the Institution of the Deaf, the Dumb, and the Blind) in Berkeley, where he received training in drawing and sculpture. After his graduation in 1890 he next attended the California School of Design in San Francisco, studying with Arthur Mathews (1860-1945) and Amédée Joullin (1862-1917) and receiving recognition for his good work. With funds lent by his former school’s board of directors, in 1893 he was sent to Paris, where he studied with Benjamin Constant (1845-1902) and Jean-Paul Laurens (1838-1921) at the Académie Julian. He exhibited a winter landscape in the Paris Salon of 1895.

Leaving Paris in 1898, Redmond settled in Los Angeles. He changed his first name to Granville and married in 1899. He painted views of the Los Angeles area until 1908, when he moved to Northern California. In contrast to his absence from exhibitions in later life, during this period he sent works to exhibitions in Philadelphia, Saint Louis, and Seattle. He settled in Parkfield in Monterey County in early 1908, but moved to Menlo Park, California, in 1910, and that year exhibited in San Francisco and Los Angeles. He had solo exhibitions at commercial galleries and in 1914 at the Los Angeles Museum.

In 1917 Redmond returned to Los Angeles and worked as a pantomimist; he was befriended by Charlie Chaplin, who gave him roles in several of his movies, including City Lights (1931). Redmond also had a feature role in Raymond Griffith’s mystery, You’d Be Surprised (1926). Chaplin also gave the artist the use of a studio on his movie lot to paint in, where Redmond worked until shortly before his death in 1935.