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  • Henri Matisse
    Dec 31, 1869 - Nov 3, 1954
  • Cliffs of Aval, the Fishermen - Etretat - Henri Matisse was an artist often regarded as the most important French painter of the 20th century. He was the leader of the Fauvist movement about 1900, and he pursued the expressiveness of color throughout his career. His subjects were largely domestic or figurative, and a distinct Mediterranean verve presides in the treatment.
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Cliffs of Aval, the Fishermen - Etretat
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  • Cliffs of Aval, the Fishermen - Etretat

  • Henri Matisse
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  • Falaises d'Aval, les pecheurs - étretat, 1920
    Oil on canvas board

    Painted during Matisse's visit to the Normandy coast in the Summer of 1920, Falaises d'Aval, les pecheurs - Etretat, is a fresh and vibrant depiction of the breathtaking cliffs at Etretat (Fig. 1), the same cliffs which had inspired first Courbet and then Monet from the 1880s. The chalky cliffs curved out from the town in a cresent-like form before rising to great heights, their multicoloured, striated surfaces capped by contrasting lush greens. The d'Aval of the title is the spectacular arch at the northern extremity of the cliff and visible in the present work.

    The infusion of light, colour and the obvious joy in which Matisse took in painting the cliffs at Etretat in Summer 1920 was certainly observed by the art critic Charles Vildrac, who in October of the same year, wrote in the catalogue that accompanied the first public exhibition of Falaises d'Aval, les pecheurs - Etretat: "You experience at once both the light and the landscape, unable to disassociate them. The impalbable gauze that here and there finishes drying and polishing the sky, the beach, the cliffs, the horizon, the boat resting on the pebbles...you see all that in a single, absolutely simple image. Thus do Matisse's landscapes appear to me: and thus it seems, did Nature appear to him, touched by the miracle of a suddenly rediscovered light, the miracle lies in the painter's vision and in the power that he has to reproduce it" (C. Vildrac, quoted in exh. cat., Exposition Henri Matisse, Galerie Berheim Jeune, Paris, 1920). The painting was purchased at the close of the exhibition by the collector Dr Soubiès for 7,000 FFr, who by 1928 had collected 23 works by Matisse as well as important works by Cézanne and Monet.

    Lord Berners (Fig. 2), who seems have shared Soubiès' love of modern French masters, was the second collector to own Falaises d'Aval, les pecheurs - Etretat, which he purchased circa 1931. Berners' biographer, Mark Amory, lists the artists he admired: 'Corot (early Corot), Delacroix, Géricault, Monet, Ingres, Sisley, Cézanne, Matisse' (M. Amory, quoted in Lord Berners the last eccentric, London, 1999, p. 106). Berners' appreciation of 'the directness and simplicity of Corot's early painting' which to him 'seems the perfect method of dealing with landscape' might have encouraged Berners' interest in the harmony of colour and light found in Matisse's paintings between 1920-1925. Amory notes in July 1927 Lord Berners 'regarding a Matisse fixedly through his eyeglass at the Contempory Art Society', the present work however, was probably purchased from Alexander Reid of Reid & Lefevre, who, a friend remembers, 'used to come down to Faringdon (Berners' seat in Berkshire) with some Corots on trial for about a month' (Ibid., p. 108).

    Lord Berners lent Falaises d'Aval, les pecheurs - Etretat, to the Museum of Modern Art, New York, in 1931, for inclusion in the first great Amercian retrospective exhibtion of Matisse's painting.

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Other paintings by Henri Matisse:

Woman on an armchair - Flowers on the table, or carnations
Woman on an armchair - Flowers on the table, or carnations
Still Life with Fruit and Bottle
Still Life with Fruit and Bottle
A Street in Arcueil
A Street in Arcueil
Wooden Horse Stone
Wooden Horse Stone
Henri MatisseHenri-Émile-Benoit Matisse was a French artist whose career spanned over six decades. He was influenced by Georges Seurat and Paul Signac, who painted in a “Pointillist” style with small dots of color rather than full brushstrokes. Matisse’s creativity came to the fore with sensational canvases such as, Luxe, calme et volupté, Open Window, and Woman with a Hat. Although he was initially labeled a Fauve (wild beast), he found his own style, and began to enjoy a greater degree of success. He travelled to travel to Italy, Germany, Spain and North Africa for inspiration. He signed a contract with the prestigious art dealers of Galerie Bernheim-Jeune in Paris. His art was purchased by prominent collectors such as Gertrude Stein and the Russian businessman Sergei I. Shchukin. In his later career, Matisse received several major commissions, such as a mural for the art gallery of collector Dr. Albert Barnes of Pennsylvania and for the Chapel of the Rosary in Venice. Although his subjects were traditional—nudes, figures in landscapes, portraits, interior views—his revolutionary use of brilliant color and exaggerated form to express emotion made him one of the most influential artists of the 20th century.