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  • Henri Matisse
    Dec 31, 1869 - Nov 3, 1954
  • Cuckoo Clocks, Blue and Pink Carpets - Henri Matisse was an artist often regarded as the most important French painter of the 20th century. He was the leader of the Fauvist movement about 1900, and he pursued the expressiveness of color throughout his career. His subjects were largely domestic or figurative, and a distinct Mediterranean verve presides in the treatment.
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Cuckoo Clocks, Blue and Pink Carpets
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  • Cuckoo Clocks, Blue and Pink Carpets

  • Henri Matisse
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  • Les coucous, tapis bleu et rose, 1911
    Oil on canvas
    81 x 65.5 cm. (31 7/8 x 25 3/4 in.)

    Les coucous, tapis bleu et rose, painted in the spring of 1911, belongs to a long experimental sequence based in these years on flowers or fruit and textiles. This particular sub-series was inspired by the Nature morte au géranium of 1910 (fig. 1), a canvas which aroused such passionate enthusiasm in Wassily Kandinsky that he persuaded the Russian collector, Sergei Shchukin, to commission two more still-lifes of the same size on the same theme that winter3. What impressed Kandinsky, Shchukin and the painting's owner, Baron Tschudi, the director of Germany's imperial museums, was the boldness of Matisse's colour, and the unequivocal modernity of his abstract construction. He built his picture round a length of printed cotton known as the toile de Jouy, a favourite and much-painted textile, what Matisse called 'a key volume from my painter's library'4. In Nature morte au géranium the toile de Jouy plunges diagonally across the canvas with the momentum of a waterfall or whirlwind, sweeping the real flower-heads into the careering rhythms of its floral print, assimilating the painted bowl or cushion at the centre of the composition, simultaneously aerating and flattening out the entire picture plane while absorbing the white walls of Matisse's studio within its own chromatic scheme of turquoise, blue and pink.

    Les Coucous, based on another key volume from Matisse's textile library, is by comparison a model of lucidity and balance. It was painted exactly a year later, at the same time as the great Atelier rose (fig. 2), another cool, light-filled, linear canvas whose overall design centres on the "coloured stuffs" laid out across it like a palette: pale ochre rug, turquoise fabric screen with pink flower blobs, and at the centre what seems to be the same fabric that occupies the lower part of Les Coucous. This was a blue-and-white, hand-woven, woollen rug with a pattern of foliage, flowers, pomegranates and little animals, motifs that would change shape and colour on Matisse's canvases, shifting to pink or creamy yellow and back again to white. He said that the carpet had caught his eye in an antique shop in Madrid on a trip to Spain in the winter of 1910. "It's not in a very good state, but I'll be able to work a lot with it, I think," he told his wife5. He paid a revelatory visit to the Alhambra Palace in Granada before painting his new textile for the first time, combining it with a patterned sofa, a batch of Spanish shawls and the pot of geraniums specially purchased to fulfill Shchukin's order for a pair of still lifes6 (fig. 3): Canvases which transpose the standard still-life components of flowers, fruit and fabric into a riotous oriental frieze of swirling line and rich hot colour. The blue carpet regained stability and composure in the Atelier rose, which Matisse started as soon as he got back to France at the end of January, 1911. This was the first of four huge symphonic wall panels (also commissioned by Shchukin)7, whose influence would seep slowly and powerfully into Western painting over the next half century and more.

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Other paintings by Henri Matisse:

Peonies (Les Pivoines)
Peonies (Les Pivoines)
The Artist and the Nude Model
The Artist and the Nude Model
Antique and Grommets
Antique and Grommets
Nude with White Towel
Nude with White Towel
Henri MatisseHenri-Émile-Benoit Matisse was a French artist whose career spanned over six decades. He was influenced by Georges Seurat and Paul Signac, who painted in a “Pointillist” style with small dots of color rather than full brushstrokes. Matisse’s creativity came to the fore with sensational canvases such as, Luxe, calme et volupté, Open Window, and Woman with a Hat. Although he was initially labeled a Fauve (wild beast), he found his own style, and began to enjoy a greater degree of success. He travelled to travel to Italy, Germany, Spain and North Africa for inspiration. He signed a contract with the prestigious art dealers of Galerie Bernheim-Jeune in Paris. His art was purchased by prominent collectors such as Gertrude Stein and the Russian businessman Sergei I. Shchukin. In his later career, Matisse received several major commissions, such as a mural for the art gallery of collector Dr. Albert Barnes of Pennsylvania and for the Chapel of the Rosary in Venice. Although his subjects were traditional—nudes, figures in landscapes, portraits, interior views—his revolutionary use of brilliant color and exaggerated form to express emotion made him one of the most influential artists of the 20th century.