1882
Oil on canvas
237 x 352 cm (93 3/8 x 138 1/2 in.)
Isabella Stewart Gardner Museum, United States.
El Jaleo is one of the greatest modern paintings by John Singer Sargent and illustrates the popular fascination with Spain (Hispanism) of the time. It shows a Spanish gypsy dancer performing a flamenco dance to the accompaniment of several musicians and fellow dancers, seated alongside. The painting - along with a smaller work entitled The Spanish Dance (1882, Hispanic Society of America) came about as a result of a five-month trip which the artist took through Spain and North Africa in 1879. Stylistically, the work is related to a slightly later series of pictures produced by Sargent in Venice, which, like El Jaleo, are marked by dramatic light and shadow, as well as contrasting colours and exotic models.
Sargent chose a huge 12 foot by 7 foot canvas as the "stage" for his intended dancer, and called the painting El Jaleo - the Spanish name for a lively solo dance accompanied by castanets. Like his fellow Parisian painters Manet (1832-83) and Renoir (1841-1919) - both of whose most spontaneous paintings were in fact deliberately and painstakingly crafted in the studio - Sargent believed in detailed preparation. He took months to complete the preparatory drawing and sketching for the painting, paying particularly close attention to the dancer's posture, the drapery of her dress (compare the dress worn in Portrait of Mrs Henry White, 1883, Corcoran Gallery of Art) and the play of shadows from what appears to be footlights. Having spent almost a year preparing the composition, the execution of it probably took him no more than a week, such was his technical virtuosity.
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