• Welcome to PaintingMania.com
  • Hello, New customer? Start here.
  • Frank Tenney Johnson
    Jun 26, 1874 - Jan 1, 1939
  • The Full Moon Rises - Frank Tenney Johnson was born near Big Grove, Iowa and would become an important early 20th-century American Western artist. Raised on a farm on the old Overland Trail, he observed the western migration of people on horseback and in stage coaches and covered wagons. This exposure to the American West would prove to be an important influence and inspiration for Johnson as an artist and painter of the American West.
Shop by Art Gallery
The Full Moon Rises
  • Pin It
  • Share on Tumblr
  • Enlarge
  • The Full Moon Rises

  • Frank Tenney Johnson
  • Standard size
    We offer original aspect ratio sizes
  • Price
  • Qty
  • 20 X 20 in
  • $128.95
  • 24 X 24 in
  • $162.95
  • 30 X 30 in
  • $236.95
  • 40 X 40 in
  • $431.95
  • 48 X 48 in
  • $599.95
  • If listed sizes are not in proportion to the original, don't worry, just choose which size is similar to what you want, we can offer oil paintings in a suitable size, painted in proportion to the original.
  • If you would like the standard size, please let us know. Need a Custom Size?
  • line
  • 1926
    Oil on canvas
    25 x 24 in.

    "The Full Moon Rises by F. Tenney Johnson," Boston Herald, February 10, 1929, illustrated.
    Harold McCracken, The Frank Tenney Johnson Book: A Master Painter of The Old West, New York, 1974, p. 162, illustrated.

    We wish to thank Melissa Webster Speidel for her kind assistance in cataloging the lot. This artwork is included in the catalogue raisonné database Melissa Webster Speidel is compiling of the artist's oil paintings.

    Frank Tenney Johnson was born and raised in Iowa on a prairie farm alongside the historic Overland Trail. Watching the stagecoaches pass by sparked his imagination and fueled his fascination with the West. His interest in art coalesced at the age of fourteen when his family moved to Milwaukee, Wisconsin. In a big city for the first time, he was inspired by visits to the Layton Art Gallery, Milwaukee's first public art museum, and resolved to become an artist. He apprenticed under two German expatriate artists, one of whom stoked his interest in Western subjects. At the age of twenty-one, Johnson traveled to New York City and trained at the Art Students League under John Henry Twachtman (1853-1902). He pursued additional training under the National Academicians Robert Henri (1865-1929) and William Merritt Chase (1849-1910) and sought work as a commercial illustrator to make ends meet. In 1903, he landed a major commission with Field & Stream magazine that enabled him to travel extensively through the West. On this defining trip, Johnson visited cattle ranches in Colorado and Indian pueblos in the Southwest, experiencing the culture and practices of his subjects first-hand.

    A Full Moon Rises showcases Johnson's ability to relay a Western narrative of romance, vast spaces, individuality, isolation, and natural beauty. In a warm twilight atmosphere, a lone Navajo woman sits on a rocky outcrop gazing away from the viewer toward the setting sun. She wears a long-sleeved shirt or dress in rich burgundy colors matching her surrounding landscape and is wrapped in a Navajo-patterned weaving from the waist down. In the middle distance, the figure's pack-burro grazes. Silence and introspection are palpable in the scene. Viewers are invited to identify with the woman's perspective and share this awe-inspiring, ephemeral moment.

    A Boston Herald caption touting a 1929 Milch Galleries, New York exhibition, identified The Full Moon Rises as "One of a group of paintings by the artist who has been called 'The Modern Frederic Remington'". 1 The Remington reference certainly reflects the strength of this composition and in general Johnson's work from this mature period. Johnson returned to a similar motif to The Full Moon Rises in other paintings including A Madonna of the Desert. His description of the Madonna figure is similar to the present work's compositional elements: "The woman is the shepherdess and travels hundreds of miles over the desert with her sheep, with a pack-burro to carry he meagre supplies, and she makes camp whereever [sic] night may overtake her." 2 He also wrote "Twilight and a new moon...out in the vast desert, far from any habitation, a young Navajo Indian woman...looks with wondering eyes into the coming night. Soon she will take her supplies from the burro at her side and prepare her evening meal, and for the night." 3

    Photography was generally an important part of Johnson's artistic process — over 6,000 of his prints and negatives are known — but 'in the nocturnes that Frank painted, particularly the scenes around desert trading posts in the Southwest, where taking photographs was out of the question, memory alone had to be depended on.' 4 For A Madonna of the Desert, Johnson recounted his visit to the Little Colorado Trading Post at Cameron, Arizona in the Navajo Nation. This trip made a lasting impression on him and may have also inspired the present work.

    Johnson was a master of cinematic framing. The present work was created in the same year as four important commissioned works for the grand opening of the Carthay Circle Theater in Los Angeles. This Spanish Revival theater was a jewel of the Art Deco style, built at a cost of over $1 million dollars with decor that celebrated California's founding history. Johnson created a painting for the lobby depicting the first movie theatre in California in 1849, two monumental organ chamber covers for the stage, and a heroic main drop curtain of the Donner Party crossing the Emigrant Gap. The main curtain is significant for his high visibility — it is the closed curtain seen by the audience before the show begins, again at intermission, and after the show ends. The theatre was originally conceived for silent films and live performance, but the advent of sound films made it legendary. Attendance soared, and consequently, Johnson's reputation as an artist.

    Why settle for a paper print when you can add sophistication to your rooms with a high quality 100% hand-painted oil painting on canvas at wholesale price? Order this beautiful oil painting today! that's a great way to impress friends, neighbors and clients alike.

  • 100% hand-painted oil painting on artist grade canvas. No printing or digital imaging techniques are used.
  • Additional 2 inch blank border around the edge.
  • No middle people, directly ship to the world.
  • In stock items ship immediately, usually ships in 3 to 10 days.
  • You can order any painting in any size as your requests.
  • $12.95 shipping charge for small size (e.g., size <= 20 x 24 in).
  • The cheapest shipping rate from DHL, UPS, USPS, etc.
  • Canvas stretched on wood bars for free.
    - Need special frame for oil painting? Please contact us.
  • Send you a digital copy via email for your approval before shipping.
  • 45-day Satisfaction Guaranteed and 100% Satisfaction Guaranteed.
Prev The Forest Ranger, Alhambra, California The Getaway Next
Would you like to publicly share your opinion of this painting?
Be the first to critique this painting.

Other paintings by Frank Tenney Johnson:

The Donner Party Crossing the Sierras
The Donner Party Crossing the Sierras
The Forest Ranger, Alhambra, California
The Forest Ranger, Alhambra, California
The Getaway
The Getaway
The Grub Line
The Grub Line
Frank Tenney JohnsonFrank Tenney Johnson was among the most reflective, introspective artists ever to paint the West. His love for the vanishing West of the cowboy was perhaps engendered in him by the close proximity of his birthplace near Council Bluffs, Iowa, to the Overland Trail. Even as a young man Johnson sensed that his career would have to be that of an artist of the Old West.

In 1895 Johnson made his way to New York, where he eventually studied at the Art Students League and with such fine art notables as J.H. Twachtman, Robert Henri and William Merritt Chase. His first professional work came to Johnson in the form of illustration commissions for Zane Grey novels and for Field and Stream and other periodicals. In many ways, however, his first professional work came in the form of a 1904 trip to Colorado and the Southwest, a trip that Johnson was to make many times in his life. The trip seemed to bring into focus an impression of the Old West that made Johnson famous.

Johnson was an excellent draftsman. He used the best materials available to an artist. As did others, Johnson painted with brush, knife and fingers. Above all, Johnson painted scenes of the West that were tableau-like; he rendered romantic, poetic Western genre scenes that differed entirely from the stop-action, narrative works of his contemporaries, C.M. Russell and Frederic Remington. Johnson painted scenes that reflected his preference for non-violent subjects, scenes that showed the cowboy, the Indian or the Spanish settler in a pastoral context. Among these quiet, philosophical canvases two types stand out: his paintings of horses and his night scenes.

Eventually, Johnson became a renowned artist with studios in Los Angeles; Cody, Wyoming; and New York. He was collected by major institutions including the National Gallery of Art in Washington, D.C.; the Royal Palace in Copenhagen; and Fort Worth's Amon Carter Museum. In 1937 Johnson became an Academician of the National Academy of Design.

At the peak of his career Johnson's life came to an unusually unfortunate end. In December, 1938, Johnson attended a party, where he gave a social kiss to his hostess. Within two weeks' time, both were dead of spinal meningitis. In Frank Tenney Johnson's death, the United States lost one of the most accomplished artists ever to love the Old West.