1844
Oil on canvas
Gibraltar by Night dates from the end of an extensive European tour which Aivazovsky embarked upon following his graduation from the Academy of Arts in 1840. Travelling through Italy, England, Portugal, Spain and Holland, he quickly made a name for himself in Europe as news spread of his talents as a marine artist and he was named Academician by no less than three European Academies of art. It was, however, the rumours emanating from Russia that Aivazovsky had decided to abandon his homeland and settle permanently in Paris which persuaded him to cut short his travels in 1845 and return to St. Petersburg immediately.
The offered lot is believed to have been painted in The Hague where it was probably also exhibited at the time of Aivazovsky's nomination as an Academician by the Amsterdam Academy of Arts. Although firmly grounded in the Classical tradition with its use of defined planes to give the impression of depth, the composition also reveals Aivazovsky's brilliance and innovation as this device is inverted and used to even greater dramatic effect. The brightness of the moon immediately draws the viewer to the striking silhouette of the rock of Gibraltar at the very back of the composition. Yet, it is only through looking beyond this initial focus that we notice the shape of the sinking steamer emerging from the darkness of the foreground, lit eerily by the red sparks sputtering from its funnel.
Gibraltar by Night illustrates Aivazovsky's deftness at capturing the effect of light on moving water. The technique of applying numerous very thin paint layers on top of each other allowed him to create the most subtle gradations of tone, which Nikolai Kramskoy described as "secret colours ... so bright and pure as I have never seen ... on a dry salter's shelves" (quoted in V.Pilipenko, Ivan Konstantinovich Aivazovsky. Leningrad: Khudozhnik RSFSR, 1991, p. 29).
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