1907/08
Oil and gold on canvas
110 x 110 cm
The Museum of Modern Art, New York.
Several years separate the two versions of pregnant womanhood, hymns to life and to carnality. The later of the two paintings reveals a more rational, or perhaps a more hypocritical, Klimt. The aggressive or morbid elements have vanished; only the triumphant woman in full bloom remains. Klimt has apparently made the transition from Hans Baldung Grien to Botticelli...
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