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  • Henri Matisse
    Dec 31, 1869 - Nov 3, 1954
  • Landscape of Corsica - Henri Matisse was an artist often regarded as the most important French painter of the 20th century. He was the leader of the Fauvist movement about 1900, and he pursued the expressiveness of color throughout his career. His subjects were largely domestic or figurative, and a distinct Mediterranean verve presides in the treatment.
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Landscape of Corsica
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  • Landscape of Corsica

  • Henri Matisse
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  • Paysage de Corse, 1898
    Oil on canvas

    Paysage de Corse was painted in 1898, a year of significant breakthroughs for Matisse, for it was in this year that he surpassed many of the influences to which he had formerly submitted. In Paysage de Corse, it is clear that Matisse has moved through the Impressionist phase that resulted in his early masterpiece, La desserte of the previous year. Light is crucial, but more so are the bold areas of colour that prefigure the Fauve palette that Matisse would increasingly adopt over the forthcoming years. Many of the advances that Matisse made during 1898 were due to the relative seclusion in which he kept himself, for he spent his time away from Paris for the majority of the year, instead spending his time in the South of France and in Corsica.

    It was also in that same year that Matisse visited London on his honeymoon. However this was a pretext to view the Turners in the National Gallery in London, upon the advice of Camille Pissarro. Matisse was under-impressed; however despite this one can sense the influence of the master in his handling of paint. In seeing Turner, Matisse moved through the Impressionist phase that had formerly driven his compositions. For in Turner's paintings, Matisse saw not only a new way of treating light in the composition, but a means of creating a dreamlike sense of beauty that was still rooted in reality, but did not literally translate the scene that nature presented. This was an interest that Matisse took to new levels, considering his art to consist "of a meditation on nature, on the expression of a dream inspired by reality" (Henri Matisse, quoted in P. Schneider, Matisse, London, 1984, p. 60). The possibility remains that Matisse was still indebted in this regard to his former teacher, Gustave Moreau, who had died in early 1898. However, the sheer enjoyment of bold color that is evident in this picture shows the degree to which Matisse had moved on from Moreau's Symbolist leanings.

    The present painting appears to owe more to Cézanne or to Gauguin than to any of their predecessors. Matisse's words about the Impressionists are therefore telling; "A rapid rendering of a landscape represents only one moment of its existence. I prefer, by insisting upon its essential character, to risk losing charm in order to gain greater stability"(ibid., p. 73).

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Other paintings by Henri Matisse:

Nude on a Red Background
Nude on a Red Background
Girl with Anemones on a Purple Background
Girl with Anemones on a Purple Background
Odalisque with a Red Box
Odalisque with a Red Box
Swiss Landscape (Route from Chezieres to Villars)
Swiss Landscape (Route from Chezieres to Villars)
Henri MatisseHenri-Émile-Benoit Matisse was a French artist whose career spanned over six decades. He was influenced by Georges Seurat and Paul Signac, who painted in a “Pointillist” style with small dots of color rather than full brushstrokes. Matisse’s creativity came to the fore with sensational canvases such as, Luxe, calme et volupté, Open Window, and Woman with a Hat. Although he was initially labeled a Fauve (wild beast), he found his own style, and began to enjoy a greater degree of success. He travelled to travel to Italy, Germany, Spain and North Africa for inspiration. He signed a contract with the prestigious art dealers of Galerie Bernheim-Jeune in Paris. His art was purchased by prominent collectors such as Gertrude Stein and the Russian businessman Sergei I. Shchukin. In his later career, Matisse received several major commissions, such as a mural for the art gallery of collector Dr. Albert Barnes of Pennsylvania and for the Chapel of the Rosary in Venice. Although his subjects were traditional—nudes, figures in landscapes, portraits, interior views—his revolutionary use of brilliant color and exaggerated form to express emotion made him one of the most influential artists of the 20th century.