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  • Francisco de Goya
    Mar 30, 1746 - Apr 16, 1828
  • Majas on a Balcony - Francisco José de Goya y Lucientes was a Spanish romantic painter and printmaker. He is considered the most important Spanish artist of late 18th and early 19th centuries and throughout his long career was a commentator and chronicler of his era. Immensely successful in his lifetime, Goya is often referred to as both the last of the Old Masters and the first of the moderns.
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Majas on a Balcony
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  • Majas on a Balcony

  • Francisco de Goya
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  • circa 1800-1810
    Oil on canvas
    193.04 cm (76 in.) x 124.46 cm (49 in.)
    Metropolitan Museum of Art, New York, United States.

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Other paintings by Francisco de Goya:

Los Gigantillas
Los Gigantillas
Maja and Celestina on a Balcony
Maja and Celestina on a Balcony
Manuel Osorio Manrique de Zuniga
Manuel Osorio Manrique de Zuniga
Maria Antonia Gonzaga, Marchioness Widow of Villafranca
Maria Antonia Gonzaga, Marchioness Widow of Villafranca
Francisco de GoyaFrancisco José de Goya y Lucientes (b. March 30, 1746, Fuendetodos, Spain--d. April 16, 1828, Bordeaux, Fr.), consummately Spanish artist whose multifarious paintings, drawings, and engravings reflected contemporary historical upheavals and influenced important 19th- and 20th-century painters.

Like Velazquez, Goya was a Spanish court painter whose best work was done apart from his official duties. He is known for his scenes of violence, especially those prompted by the French invasion of Spain. The series of etchings Los desastres de la guerra ("The Disasters of War", 1810-14) records the horrors of the Napoleonic invasion. His masterpieces in painting include The Naked Maja and The Clothed Maja (c. 1800-05). He also painted charming portraits such as Senora Sabasa Garcia.

For the bold technique of his paintings, the haunting satire of his etchings, and his belief that the artist's vision is more important than tradition, Goya is often called "the first of the moderns." His uncompromising portrayal of his times marks the beginning of 19th-century realism.