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  • Charles Marion Russell
    Mar 19, 1864 - Oct 24, 1926
  • Mexicans Leaving an Inn - Charles Russell was the "other" artist (besides Frederic Remington) who chronicled life in the Wild West. Unlike Remington, Russell settled permanently in the west (Montana) and wholeheartedly embraced everything life there had to offer. He was a "real" cowboy, lived with a mountain man and was an adopted brother of the Blackfoot tribe. His oils, watercolors and bronzes reflect an intimate knowledge of his subjects, and no one was more surprised than he when they began fetching high prices.
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Mexicans Leaving an Inn
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  • Mexicans Leaving an Inn

  • Charles Marion Russell
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  • 1906
    watercolor on paper
    Private collection.

    The Great Falls Tribune of Sunday, February 11, 1906 carried a story with a picture of the Cowboy artist, Charles M. Russell, headlined “He Is Going To Old Mexico.” The reporter states that he and Mrs. Russell would visit the interior of Mexico for six weeks or perhaps two months, the purpose being to make a series of studies of ancient and modern types of the Mexican cowpuncher for Outing, the well-known, high-class magazine of sports and out-of-door life, the editor of which, Caspar Whitney, is a personal friend and great admirer of Russell. The story goes on to extol Russell’s art and the success he had been having not only in illustrating for several of the outstanding publications but that he was being recognized as an author, as well, since several of his sketches and stories would be appearing shortly in Outing.

    Apparently, between the time of that story and their departure for Mexico the plans developed further. First, Charley’s father, Charles Silas Russell, was invited to accompany them and probably through the contacts Whitney had, plans were made to present an exhibit of Russell’s art in the Porter Hotel in Mexico City. The Mexico City Daily Record of April 8, 1906 in a two-column story states, “The art exhibit at Porter’s Hotel this morning was as refreshing as the dawn itself ... The work of Mr. Russell is difficult to describe. Language faintly describes the exquisite touch of his magic brush and pen, or the marvelous details of his art.” We have no information on how long the exhibit lasted, but during the Russells stay in the Capital they met the owner of the largest ranch in all Mexico. Se?or Terrazas cordially invited the Russells to make an extended visit to his giant spread outside the city of Chihuahua, where Charley would have very opportunity to study and sketch the vaqueros and the stock and a different way of ‘cowboying.’ The several weeks the Russells were guests of Se?or Terrazas were an eye-opening experience for Montana’s favorite artist and a number of paintings resulted, Mexicans Leaving an Inn being probably the first Russell completed after his return to Great Falls. It should be noted this watercolor was listed in the Dore Gallery catalogue of paintings in the 1914 exhibit Russell had in London. It was for a number of years in the collection of William E. Weiss, Jr.

    – Ginger Renner
    C.M. Russell Historian, March 2006

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Other paintings by Charles Marion Russell:

Men of the Open Range
Men of the Open Range
Mexican Buffalo Hunters
Mexican Buffalo Hunters
Mexico
Mexico
Montana Cowboy
Montana Cowboy
Charles Marion RussellCharles M. Russell - Montana's most famous artist, and, along with Frederic Remington, one of the two most famous artists ever to paint the West - was born in St. Louis, Missouri on March 19, 1864. He came to Montana in 1880, at the age of 16, just four years after Custer's fatal last stand at the Little Big Horn.

His first job in Montana was sheepherder - and he was terrible at it. "I'd lose the damn things as fast as they put 'em on the ranch," he said later. Fired from that job, he helped professional meat hunter, Jake Hoover, spending about two years learning about Indians, wildlife, and Montana's past.

In 1882 he went to work as a cowboy, working as night wrangler on cattle drives and round-ups. During the bitter cold winter of 1886-1887, Charlie was staying on the O.H. Ranch. In a reply to the owners of the ranch who asked about the condition of their herd, Charlie drew a sketch of a gaunt, starving cow surrounded by wolves, and titled it "Waiting for a Chinook" The sketch was reproduced in the Montana newspapers, and is still today one of Charlie's best-known pictures.

During his days on the range, Charlie always had a sketch pad and some brushes with him, and occasionally he tried to make his living as an artist. But he always went back to working as a cowboy, saying he'd "rather be a poor cow puncher than a poor artist." But in 1896 his situation turned around. He married a pretty young girl named Nancy Cooper, and as soon as she took over the business end of his art career, things began to look up. Within just a few years Nancy was charging collectors what Charlie always called "dead man's prices."

Charlie Russell died on October 24, 1926, of heart failure, and he was deeply mourned by the entire state of Montana. In Great Falls, city offices and schools were closed on the day of his funeral. His first roundup boss, Horace Brewster, told the newspaper, "He never swung a mean loop in his life, never done dirt to man or animal, in all the days he lived."