1856
Oil on canvas
100 x 151 cm (39 1/2 x 59 1/2 in.)
One of the earliest large-scale depictions of Ayu Dag by Aivazovsky, this monumental painting of 1856 is among his greatest Crimean views and contains several motifs he would develop, such as the cypresses receding into the distance, grouped Tartars and winding oxen tracks. Flashes of moonlight in the running water and the oxen’s yoke punctuate the shadows in the lower left corner and a small streak of firelight is reflected in the bay at the centre of the seascape. Painted in the same year as his panorama at sunset, View of Constantinople and the Bosphorus (1856), the present work is a beautiful study of moonlight on one of the few prospects he would return to more frequently over the course of his life than the Turkish citadel.
The Crimean war drew to a close in February of 1856 and the chaos of the previous three years which had left ‘the coastal inhabitants living in fear’ as Aivazovsky wrote, was over at last. The new era of peace allowed Aivazovsky to travel to Paris the following year where he was famously awarded the Légion d’Honneur, an exceptionally prestigious award for a foreign artist.
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