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  • Granville Redmond
    Mar 9, 1871 - May 24, 1935
  • Poppies and Lupine by a Lake with Mountains in the Distance - Granville Redmond is nationally known for his Impressionist landscapes featuring the California wildflowers, as well as his coastals, and Tonal moonlit scenes. He is known as one of the most prominent and successful "California Impressionists" of the early 20th century.
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Poppies and Lupine by a Lake with Mountains in the Distance
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  • Poppies and Lupine by a Lake with Mountains in the Distance

  • Granville Redmond
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  • Oil on canvas
    28 3/4 x 35 in
    Private collection.

    Granville Redmond was robbed of his hearing by scarlet fever at the age of two. Luckily his sight remained intact. Redmond numbered among his teachers significant artists in California such as Amedee Joullen and Arthur Matthews at the Mark Hopkins Institute in San Francisco and later Benjamin Constant and Jean Paul Laurens at the Julian Academy in Paris. Redmond amalgamated the styles of these teachers and the influences of other artists into his own unique vision. Poppies and lupine by a lake is a powerful example of his quintessential style. Drawing on the contours and colors of California landscapes Redmond illuminates ideal places with pointillist dabs of flowers and washes of shadows.

    Structurally Poppies and lupine by a lake is unified from the bottom to the top by shades of blue. The entire foreground is defined by and constructed of luscious wild flowers. The brilliant yellow serves as a foil to the brown and green of the trees on the rise and the contrast further serves to push the hills and mountains on the other side of the water even further into the distance. Redmond’s use of blue starts with the flowers in the foreground and progresses into the water and shadows on the foothills in the midground. His exploration of blue continues to the distant mountains in the background and on up to the small areas of blue sky peeking through at the top of the painting. Redmond uses a sky almost entirely of clouds with small carvings of blue. In this we see the Barbizon love of cloudy skies at work on Redmond. Of course, the high horizon, bright color and dashed brushstrokes of the impressionists are critical to Poppies and lupine by a lake. The synergy of California, Redmond’s teachers and his vision bring about the creation of Poppies and lupine by a lake.

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Other paintings by Granville Redmond:

Poppies and Lupine 5
Poppies and Lupine 5
Poppies and Lupine 6
Poppies and Lupine 6
Poppies and Lupines
Poppies and Lupines
Poppies and Rolling Hills
Poppies and Rolling Hills
Granville RedmondGranville Redmond was one of the best and most prominent landscape painters of Los Angeles during the first decade of the century. Born Grenville Richard Seymour Redmond, the artist was four years old when his family moved to San José, California. They later moved to Los Angeles. Having been left completely deaf by scarlet fever, Redmond lived at the California School for the Deaf (then called the Institution of the Deaf, the Dumb, and the Blind) in Berkeley, where he received training in drawing and sculpture. After his graduation in 1890 he next attended the California School of Design in San Francisco, studying with Arthur Mathews (1860-1945) and Amédée Joullin (1862-1917) and receiving recognition for his good work. With funds lent by his former school’s board of directors, in 1893 he was sent to Paris, where he studied with Benjamin Constant (1845-1902) and Jean-Paul Laurens (1838-1921) at the Académie Julian. He exhibited a winter landscape in the Paris Salon of 1895.

Leaving Paris in 1898, Redmond settled in Los Angeles. He changed his first name to Granville and married in 1899. He painted views of the Los Angeles area until 1908, when he moved to Northern California. In contrast to his absence from exhibitions in later life, during this period he sent works to exhibitions in Philadelphia, Saint Louis, and Seattle. He settled in Parkfield in Monterey County in early 1908, but moved to Menlo Park, California, in 1910, and that year exhibited in San Francisco and Los Angeles. He had solo exhibitions at commercial galleries and in 1914 at the Los Angeles Museum.

In 1917 Redmond returned to Los Angeles and worked as a pantomimist; he was befriended by Charlie Chaplin, who gave him roles in several of his movies, including City Lights (1931). Redmond also had a feature role in Raymond Griffith’s mystery, You’d Be Surprised (1926). Chaplin also gave the artist the use of a studio on his movie lot to paint in, where Redmond worked until shortly before his death in 1935.