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  • Francisco de Goya
    Mar 30, 1746 - Apr 16, 1828
  • Portrait of Carlos Lopez Altamirano - Francisco José de Goya y Lucientes was a Spanish romantic painter and printmaker. He is considered the most important Spanish artist of late 18th and early 19th centuries and throughout his long career was a commentator and chronicler of his era. Immensely successful in his lifetime, Goya is often referred to as both the last of the Old Masters and the first of the moderns.
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Portrait of Carlos Lopez Altamirano
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  • Portrait of Carlos Lopez Altamirano

  • Francisco de Goya
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  • circa 1796
    Oil on canvas
    84.2 cm (33.15 in.) x 62.9 cm (24.76 in.)
    Musée des Beaux-Arts de Montréal, Quebec, Canada.

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Other paintings by Francisco de Goya:

Portrait of a Man in a Brown Coat
Portrait of a Man in a Brown Coat
Portrait of Actress Rita Luna
Portrait of Actress Rita Luna
Portrait of Don Francisco de Borja Tellez Giron
Portrait of Don Francisco de Borja Tellez Giron
Portrait of Don Jose Queralto as a Spanish Army Doctor
Portrait of Don Jose Queralto as a Spanish Army Doctor
Francisco de GoyaFrancisco José de Goya y Lucientes (b. March 30, 1746, Fuendetodos, Spain--d. April 16, 1828, Bordeaux, Fr.), consummately Spanish artist whose multifarious paintings, drawings, and engravings reflected contemporary historical upheavals and influenced important 19th- and 20th-century painters.

Like Velazquez, Goya was a Spanish court painter whose best work was done apart from his official duties. He is known for his scenes of violence, especially those prompted by the French invasion of Spain. The series of etchings Los desastres de la guerra ("The Disasters of War", 1810-14) records the horrors of the Napoleonic invasion. His masterpieces in painting include The Naked Maja and The Clothed Maja (c. 1800-05). He also painted charming portraits such as Senora Sabasa Garcia.

For the bold technique of his paintings, the haunting satire of his etchings, and his belief that the artist's vision is more important than tradition, Goya is often called "the first of the moderns." His uncompromising portrayal of his times marks the beginning of 19th-century realism.