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  • Frank Tenney Johnson
    Jun 26, 1874 - Jan 1, 1939
  • Rim Rock Wrangler - Frank Tenney Johnson was born near Big Grove, Iowa and would become an important early 20th-century American Western artist. Raised on a farm on the old Overland Trail, he observed the western migration of people on horseback and in stage coaches and covered wagons. This exposure to the American West would prove to be an important influence and inspiration for Johnson as an artist and painter of the American West.
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Rim Rock Wrangler
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  • Rim Rock Wrangler

  • Frank Tenney Johnson
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  • 1935
    Oil on canvas
    28 x 36 inches

    Frank Tenney Johnson is celebrated for his solitary depictions of cowboys and their horses set against the dramatic and vast open ranges of the Western United States. Rim Rock Wrangler is a masterwork of this genre, painted in Wyoming at the height of Johnson's career. According to the archival photograph caption in the collection of the Buffalo Bill Center of the West, the subject of the present work is Don Huntington and his horse Tejon.

    While maintaining a primary home and studio in Alhambra near Los Angeles, Johnson built a second summer log home on the famous Rim Rock Ranch, owned by his cousin Mildred and her husband Earl Martin in the early 1930s. 1 Johnson spent the summers between 1931 and his untimely death in 1939 painting and hiking around this Wyoming cabin located near Cody and the East entrance to Yellowstone National Park, on the North fork of the Shoshone River.

    Rim Rock Wrangler depicts a moment of stillness as Huntington stands in front of his saddled horse Tejon looking over his left shoulder toward a vast canyon landscape and distant gathering storm clouds. The figure's crisp white shirt and the buckskin horse's white tail pick-up the sun glare, while Johnson paints in detail the leather work on figure's dramatically flared chaps, his boots and the saddle.

    Johnson was born and raised in Iowa on a humble prairie farm a stone's throw from the historic Overland Trail. Watching the stagecoaches pass by sparked his imagination and fueled his fascination with the West. His interest in art took hold at the age of fourteen, when his family moved to Milwaukee, Wisconsin. In a big city for the first time, he was inspired by visits to the Layton Art Gallery, Milwaukee's first public art museum, and resolved to become an artist. As a self-motivated and enterprising young man, he dropped out of school to apprentice under two German expatriate artists who shaped his work in different ways. From Frederick William Heine, he gained a strong technical background and exposure to commercial art-making, and from Richard Lorenz, he found a champion of Western subjects and a kindred spirit.

    By 1895, at the age of twenty-one, the allure of New York City proved irresistible. Johnson traveled to New York for the first time and trained at the Art Students League under John Henry Twachtman. Though it was a short five-month stint, it was an auspicious start to his artistic career in New York. Johnson pursued additional training under National Academicians Robert Henri and William Merritt Chase and worked as a commercial illustrator. In 1903, through a fortuitous commission for the Winchester rifle company, he landed a major commission with Field & Stream magazine that enabled him to travel extensively through the West. 2 On this seminal trip, Johnson visited cattle ranches in Colorado and Indian pueblos in the Southwest, completely 'embedding' in the local culture and understanding the values and habits of his subjects first-hand. In this setting, he found the heroic cowboy archetype that would inspire his work for nearly four decades.

    Johnson returned to Manhattan in 1904 to complete his Field & Stream commission. Commercial success ensued with magazine commissions from Cosmopolitan, Harper's Monthly, Harper's Weekly, and Metropolitan Magazine among others. Book cover commissions by Western pulp novelists such as Zane Grey added to his growing popularity.

    In 1912 and 1918, Johnson felt the pull of the West again, traveling further out to the Plains states, the West coast, and Southwest. 2 The financial security that commercial illustration afforded and an increase in dealer representation spurred Johnson toward easel painting. Johnson settled in the small artist enclave of Alhambra, California near Los Angeles in the 1920s and shared a studio with Clyde Forsythe. He was represented by important Los Angeles dealer Earl Stendahl of Stendahl Galleries, and his prominence as an artist was on the rise. In addition to his own paintings and commercial work, Johnson also received mural commissions, including a series that decorated the Cathy Circle Theatre in Los Angeles. A decade later, career success enabled Johnson to summer in the pristine environment of his Wyoming cabin.

    Johnson was a master of myth-making, both in his life and art. While he is considered by many as following in the footsteps of Frederic Remington and Charles Marion Russell, his primary biographer Harold McCracken believed that he surpassed them by adding "a strong aesthetic beauty" to his paintings. 3 Johnson's introspection and sensitivity to the difficult and isolated life of the Western cowboy is on spectacular display in Rim Rock Wrangler.

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Other paintings by Frank Tenney Johnson:

Ridin' the Range
Ridin' the Range
Riding Hard with Two Shooters
Riding Hard with Two Shooters
Rocky Steeps
Rocky Steeps
Rocky Steeps 2
Rocky Steeps 2
Frank Tenney JohnsonFrank Tenney Johnson was among the most reflective, introspective artists ever to paint the West. His love for the vanishing West of the cowboy was perhaps engendered in him by the close proximity of his birthplace near Council Bluffs, Iowa, to the Overland Trail. Even as a young man Johnson sensed that his career would have to be that of an artist of the Old West.

In 1895 Johnson made his way to New York, where he eventually studied at the Art Students League and with such fine art notables as J.H. Twachtman, Robert Henri and William Merritt Chase. His first professional work came to Johnson in the form of illustration commissions for Zane Grey novels and for Field and Stream and other periodicals. In many ways, however, his first professional work came in the form of a 1904 trip to Colorado and the Southwest, a trip that Johnson was to make many times in his life. The trip seemed to bring into focus an impression of the Old West that made Johnson famous.

Johnson was an excellent draftsman. He used the best materials available to an artist. As did others, Johnson painted with brush, knife and fingers. Above all, Johnson painted scenes of the West that were tableau-like; he rendered romantic, poetic Western genre scenes that differed entirely from the stop-action, narrative works of his contemporaries, C.M. Russell and Frederic Remington. Johnson painted scenes that reflected his preference for non-violent subjects, scenes that showed the cowboy, the Indian or the Spanish settler in a pastoral context. Among these quiet, philosophical canvases two types stand out: his paintings of horses and his night scenes.

Eventually, Johnson became a renowned artist with studios in Los Angeles; Cody, Wyoming; and New York. He was collected by major institutions including the National Gallery of Art in Washington, D.C.; the Royal Palace in Copenhagen; and Fort Worth's Amon Carter Museum. In 1937 Johnson became an Academician of the National Academy of Design.

At the peak of his career Johnson's life came to an unusually unfortunate end. In December, 1938, Johnson attended a party, where he gave a social kiss to his hostess. Within two weeks' time, both were dead of spinal meningitis. In Frank Tenney Johnson's death, the United States lost one of the most accomplished artists ever to love the Old West.