1900
Oil on panel
Private Collection, USA.
The present view of Constantinople’s historic Arnavutk?y district in the spring of 1900 is among the last works Aivazovsky ever painted, and may even be his final completed painting before his death in May that year. The impressionistic handling of paint is extremely unusual for Aivazovsky and marks an important departure in technique, remarkable at this late stage in his career. The free and liquid brushwork, particularly in the ships’ reflections and the lush slopes beyond the Ottoman mansions, recall the small Normandy seascapes of his French contemporary Eugène Boudin (1824-1898) and the light-filled landscapes of Claude Monet (1840-1926). The bright red flags and azure sea make this one of the most uplifting views of the city that had so enraptured Aivazovsky over the course of his life.
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