1887
Oil on canvas
Van Gogh Museum, Netherlands.
Following the path pioneered by the Barbizon School and the Impressionists, Vincent believed m the integrity of plein-air painting. By working on the spot, he gained a sensitivity to the visual effects of light and color, seen in the nuances of tone in the sky and the flickering white touches on the fields in this painting. In the later years of the nineteenth century, the outskirts of the district of Montmartre were undeveloped and featured communal allotments, outage gardens, and windmills. Emile Bernard attributed Vincent's urge to paint "the humble shanties of Montmartre where the lower middle classes come to cultivate their tiny pieces of sand in the early morning sun," to his reading of Emile Zola's naturalist novels, but whenever Vincent lived in the city he longed for the countryside.
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