1861
Oil on canvas
61.5 x 90.5cm (24 1/2 x 35 1/4 in.)
In 1846, Nicholas I commissioned Aivazovsky to paint a series on Russian ports, including Odessa, Sevastopol and Kerch. These views were well-received and a number were exhibited in Theodosia the same year, and his subsequent views of Odessa are relatively rare and highly sought-after. With its dark skies and moonlit seafront, the present 1861 view is among the most dramatic depictions of the city by this ‘unrivalled master’, as Dostoevsky dubbed him in the same year.
Founded by order of Catherine the Great in 1794, Odessa grew rapidly during the 19th century, becoming the fourth largest city in the Russian Empire and its largest port on the Black Sea. A free port between 1819 and 1858, it was home to a diverse mix of people. Its economic success was reflected in its architecture, such as the impressive Classicist buildings facing the port, or the famous giant stairway built between 1837 and 1841, which connects the port with the city. Clean diagonals clearly appealed to Aivazovsky, whether the formal architecture and steps in the present lot, or the clear lines of the terraces and railways that cut through his shorelines, for example Moonrise: the First Train in Theodosia (1892), or even the long straight paths through cornfields.
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