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  • Frank Tenney Johnson
    Jun 26, 1874 - Jan 1, 1939
  • Voices in the Night - Frank Tenney Johnson was born near Big Grove, Iowa and would become an important early 20th-century American Western artist. Raised on a farm on the old Overland Trail, he observed the western migration of people on horseback and in stage coaches and covered wagons. This exposure to the American West would prove to be an important influence and inspiration for Johnson as an artist and painter of the American West.
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Voices in the Night
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  • Voices in the Night

  • Frank Tenney Johnson
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  • Frank Tenney Johnson was first exposed to the painting of Western subjects by his studies with horse painter F.W. Heine and western artist George Lorenz, who "encouraged Johnson to record the disappearing frontier." (R. Saunders, The C.R. Smith Collection of Western American Art, Austin, Texas, 1988, p. 142) This encouragement, coupled with later studies at the Art Students League in New York, where he made acquaintance with Robert Henri, John Henry Twachtman and William Merritt Chase, gave his art a unique mood. He was born in Iowa but soon after moved west to Milwaukee. He gained commercial success and popularity after a lucrative illustration commission from Field and Stream brought him to Colorado, where he was "entranced by the desert community of the Southwest." (R. Stewart, The American West: Legendary Artists of the Frontier, Dallas, Texas, 1986, p. 175)

    Johnson said of his Western subjects, "seeing these people in the moonlight or even in the magic light of the stars impressed me very deeply." (as quoted in The American West: Legendary Artists of the Frontier, p. 175) Observations like this led him to produce a large number of paintings of subjects under the purple-blue shadows of the Western night sky. It is for these accomplished nocturnal scenes which Johnson is best known, and which are recognized as his greatest technical achievements. Richard Saunders tells us "During the 1910s and 1920s such romantic 'nocturnes' won Johnson critical praise. In 1923 a painting of a rugged Mexican traveling with a laden burro by lamplight won a $1000 prize at the Salmagundi Club's annual exhibition in New York." (The C.R. Smith Collection of Western American Art, p. 140)

    A night scene like those that gained him renown, Voices in the Night depicts a moonlit scene of three Native Americans on horseback, with a background of weather-beaten buttes and a dark yet luminous blue-green wedge of sky. His ability to so skillfully render night scenes certainly reminds the viewer of Frederic Remington's great nocturnes. Indeed, "in technical terms, he is perhaps closer in spirit to the later Remington style than any other Western painter." (P.H. Hassrick, History of Western American Art, New York, 1987, p. 134)

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Other paintings by Frank Tenney Johnson:

Voice of the Western Night
Voice of the Western Night
Voiceless Solitude
Voiceless Solitude
When All's Quiet
When All's Quiet
When Nights are Long
When Nights are Long
Frank Tenney JohnsonFrank Tenney Johnson was among the most reflective, introspective artists ever to paint the West. His love for the vanishing West of the cowboy was perhaps engendered in him by the close proximity of his birthplace near Council Bluffs, Iowa, to the Overland Trail. Even as a young man Johnson sensed that his career would have to be that of an artist of the Old West.

In 1895 Johnson made his way to New York, where he eventually studied at the Art Students League and with such fine art notables as J.H. Twachtman, Robert Henri and William Merritt Chase. His first professional work came to Johnson in the form of illustration commissions for Zane Grey novels and for Field and Stream and other periodicals. In many ways, however, his first professional work came in the form of a 1904 trip to Colorado and the Southwest, a trip that Johnson was to make many times in his life. The trip seemed to bring into focus an impression of the Old West that made Johnson famous.

Johnson was an excellent draftsman. He used the best materials available to an artist. As did others, Johnson painted with brush, knife and fingers. Above all, Johnson painted scenes of the West that were tableau-like; he rendered romantic, poetic Western genre scenes that differed entirely from the stop-action, narrative works of his contemporaries, C.M. Russell and Frederic Remington. Johnson painted scenes that reflected his preference for non-violent subjects, scenes that showed the cowboy, the Indian or the Spanish settler in a pastoral context. Among these quiet, philosophical canvases two types stand out: his paintings of horses and his night scenes.

Eventually, Johnson became a renowned artist with studios in Los Angeles; Cody, Wyoming; and New York. He was collected by major institutions including the National Gallery of Art in Washington, D.C.; the Royal Palace in Copenhagen; and Fort Worth's Amon Carter Museum. In 1937 Johnson became an Academician of the National Academy of Design.

At the peak of his career Johnson's life came to an unusually unfortunate end. In December, 1938, Johnson attended a party, where he gave a social kiss to his hostess. Within two weeks' time, both were dead of spinal meningitis. In Frank Tenney Johnson's death, the United States lost one of the most accomplished artists ever to love the Old West.